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    <lastmod>2019-06-17</lastmod>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>New York Public Library (Carrère &amp; Hastings) under construction, 1907. The stacks were custom-built of steel and cast iron by Snead &amp; Company Iron Works. Photo courtesy of New York Public Library Digital Collections</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>I’m thrilled to be working with Norton, a house based for the last forty years in this fabulous Shreve, Lamb &amp; Harmon building (500 Fifth Avenue) overlooking the New York Public Library — the subject of Huxtable’s famous last stand in 2012. 500 Fifth was finished in the same year (1931) as the firm’s better-known Empire State Building.</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>The Ada Louise Huxtable Papers are housed at the Getty Research Institute, part of the Getty Center complex in Los Angeles (Richard Meier &amp; Partners, 1997). This was the scene one evening after a long day in the archives: the sun, the moon, Venus, and, if you look very closely, Orion. Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>New York Public Library (Carrère &amp; Hastings) under construction, 1905; marble work on Fifth Avenue facade. Photo courtesy of New York Public Library Digital Collections</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Photo: Kevin Day</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Isaac Bell House, Newport, Rhode Island (McKim, Mead &amp; White, 1883) Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Walt Disney Concert Hall, Los Angeles (Gehry Partners, 2003) Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Spencer Finch, Cosmic Latte (lighting installation), Mass MoCA, North Adams, Mass. Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Layered building fabric, Mass MoCA, North Adams, Mass. Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Entrance to Eames House, Pacific Palisades, California (Charles and Ray Eames, 1949) Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Olav Hammarstrom, Saarinen House (1960, for Lily Swann Saarinen), Wellfleet, Mass., with Marianne Strengell and some of her textile designs on deck Photo: Alexandre Georges for Interiors, 1962</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Stillman House, Wellfleet, Mass. (Marcel Breuer, 1953) Photo courtesy Marcel Breuer Papers, Syracuse University, and Tamas Breuer</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Breuer House, Wellfleet, Mass. (Marcel Breuer, 1949) Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Sharing pride of place with the NYT Grilling Cookbook at the Wellfleet Marketplace, June 2014 Photo: Diana Murphy</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Provincetown Book Shop, July 2014 Photo: Christine Cipriani</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Cover and book design: Rita Jules Cover photo: Raimund Koch</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Hatch House, Wellfleet, Mass. (Jack Hall, 1962)  Photo: Jack Hall, courtesy of Noa Hall</image:caption>
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      <image:title>Christine Cipriani</image:title>
      <image:caption>Serge Chermayeff, sketch for studio prototype House &amp; Home, July 1954</image:caption>
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      <image:title>Christine Cipriani</image:title>
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